Domenico Carlo Maria Dragonetti (7 April – 16 April ) was an Italian double bass One of his concertos was particularly remarked by the queen of Naples. When in Vicenza for an engagement at the Grand Opera there, he acquired. Dragonetti Concerto for Double Bass and Piano. edited by David Walter. In this high-quality publication, esteemed bassist and pedagogue David Walter offers a . of one of the most popular double bass works Son, Ltd., Liben has been able to produce a totally new edition of this staple of the double bass repertoire.
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He became very famous at the time, started playing solo pieces, which was exceptional at the time for the double bass, and even got elected as of the directors of a musical festival held for the coming of fourteen sovereign princes to the republic of Venice. Dragonetti had no close family, but had many close friends in the musical world in London.
Double Bass Concerto in G major, Op.1 (Dragonetti, Domenico)
Fiona Palmer, Domenico Dragonetti in England — pub. He had huge hands with strong, broad fingers, which allowed him to play with a taller bridge and strings twice as far from the fingerboard as the other bassists. Some of the compositions by Dragonetti include. He wrote piano accompaniments to some of his concert drahonetti, and they maintained a lifelong correspondence.
Dragonetti was again in Vienna in and got to meet once more Beethoven, who had just written Wellington’s Victoryto celebrate the victory of Wellington over the French armies of King Joseph Bonaparte at the Battle of Vitoria.
Another trip was therefore scheduled in Today, many of his letters, personal papers, compositions, solos and manuscripts are to be found in the British Library. They even granted him a leave for a year, with concerho continuation in his wages, to go to the King’s Theatre in London. He was soon noticed by Doretti, a violinist and composer of ball music, who took him along for public performance in Venice. He was now – in the spring ofcocerto far as the means are at hand of determining the time – returning to Concertoo from a visit to his native city, Venice, and his route took him to Vienna, where he remained several weeks.
His ability on the instrument also demonstrated the relevance of writing scores for the double bass in the orchestra separate from that of the cellowhich was the common rule at the time.
Concetro hand endowed with five fingers so long, big and agile, that all five, including the bent thumb, go up and down the fingerboard each playing a note.
In his remains were moved to the Roman Catholic cemetery at Wembley. They made a specialty at playing Arcangelo Corelli ‘s sonatas.
Domenico Dragonetti – Wikipedia
He left Venice on 16 Septemberpartly under the influence of his friend, Giovanni Battista Cimador who composed a concerto for double bassand participated in the first rehearsals at the King’s Theatre, on 20 October and finally appeared as orchestra member in the opera Zenobia in Palmiraby Giovanni Vragonettion 20 December At the Italian Opera orchestra, he met the cellist Robert Lindleywho became his close friend and with whom he shared the stand during fifty-two years.
From Wikipedia, the free encyclopedia. He was acquainted with composers Joseph Haydn and Ludwig van Beethovenwhom he visited on several occasions in Viennaand to whom he showed the dgagonetti of the double bass as a solo instrument. By that time he had become notable throughout Europe and had turned down several opportunities, including offers from the Tsar of Russia.
When he left for London inDragonetti left many papers and manuscripts, including a Complete system of the double bass, or instruction book for that instrumentcontaining many elaborate exercises and studies, in the care of a friend.
In the Palmer biography, a footnote refers to a account by C. This was not at all standard in these times, as most players used to play – in one position – one note with the index finger, and one with the other three fingers in combination.
Category:Dragonetti, Domenico – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music
Berenzi, who suggests that the instrument may have been made for the monks of St Peter’s, Vicenza, by Gasparo da Salo, and acquired by the procurators of St Mark’s to entice Dragonetti to remain in their employ.
At the age of twelve, he was placed under the tuition of Berini, the best master for the double bass in Venice, who decided after only eleven lessons that he could not teach the boy anything more.
Some were directly bequeathed by Dragonetti, some were offered concertp Vincent Drgonettiand some were bought at auctions. Because of Dragonetti’s unprecedented virtuosity as a soloist, attractive offers of work were made from both London and Moscow.
After only a few months, he became very famous in London, and his brilliant career was to last till the end. He later was offered a place by the Tsar of Russia, which was declined and got him a salary raise in the Chapel. Retrieved from ” https: Domenico Carlo Maria Dragonetti 7 April — 16 April was an Italian double bass virtuoso and composer with a 3 string double bass. Dragonetti was a lover of the fine arts, and a collector of musical instruments dragonefti well as many art-related articles, such as original scores and paintings.
This page was last edited on 8 Augustat The visit was a huge success and generated some of his best known work. At fourteen he was appointed principal double bass player in the Grand Opera Seria at the San Benedetto theatre.
Dragonetti was not more remarkable for his astounding execution than for the deep, genuine musical feeling which elevated and ennobled it. At the age of 82, Dragonetti visited Bonn in August to participate in the 3-day music festival held as part of the inauguration of the Beethoven Monument dragonetyi.
He was offered another position to the Tsar of Concrto, which he declined after the procurators of St Mark increased his salary to an exceptional 50 ducats. Views Read Edit View history. Unfortunately, they were sold and could not be retrieved by their author when he returned to Venice after some years.