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Find composition details, parts / movement information and albums that contain performances of Sonatina for flute & piano on AllMusic. Henri Dutilleux. Download Now on Beatport. Opening solo of the Sonatine, it states sans nuances. Any suggestions on how to play it? I try playing with very little or no vibrato at all, but I”m.

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Great 20th Century Flute Music. We tend to stereotype this sound as being less beautiful I think Flite Galway for instance goes for lots and lots harmonics all the time for any piece–the opposite of what you want to do for the begining of Dutilleux, but a little wind in the sound is ok, it adds a wispy effect. The work has become sknatina standard of the flute repertoire [2] and has been performed many times by flautists such as Sharon Bezaly and Emmanuel Pahud.

Jazz Latin New Age. Share on facebook twitter tumblr. The sonatine is structured in 3 sections played without a break.

Good luck on the piece, it’s hard, but also lots of fun!

Sonatina for flute & piano

Sonatines for flute and piano. Predating his official Opus 1 the Piano Sonata by five years, Henri Dutilleux ‘s Flute Sonatina hardly reflects the composer’s distinctive mature style; it’s in a more generic, sometimes saucy French manner.

A Portrait dutiloeux Ensemble Pyramide. Streams Videos All Posts.

One of a Kind. This article about a sonata is a stub.

Chamber Music with Piano. Modern French Music for Flute. Who is online Users browsing this forum: Board index All times are UTC. Archived copy as title All stub articles. When I play it, I try to keep the sound open and have very few upper harmonics with a little bit of vibrato. This page was last edited on 24 Mayat Ainsi la nuit Sonatine for Flute and Piano.


Drinking Hanging Out In Love. These pieces were intended both to test the technique of the students and provide them with new scores. He once stated that he had never been completely happy that it was played so often [3] but he never withdrew it.

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A lot of french music has important aspects which are not communicated in the score, but are passed on from teacher to student and through performances. The Sonatine for Flute and Piano is an early work by the 20th-century French composer Henri Dutilleuxcomposed and published in The best thing is to listen to it being performed a bunch of times or get a recording since it’s such a wonderful piece. Any suggestions on how to play it? AllMusic Featured Composition Noteworthy.

They were commissioned by then-director Claude Delvincourt. No registered users and 3 guests. The last section features rapid exchanges between the flute and the piano before another short but difficult cadenza recalls the themes heard before.

Lasting barely ten minutes, the sonatina falls into three sections played without pause. It begins with a mysterious, tonally ambiguous flute theme played over an angular, rising and falling piano motif that strongly recalls the style of Dmitry Kabalevsky. Any suggestions on any of my questions? Try to avoid a buzzy, thick sound on the low notes like we often like to do [; ].


Sonatine for Flute and Piano – Wikipedia

As ofit is Dutilleux’s most often recorded work. In 80 Minutes Around the World. When I studied this piece my teacher, she suggested a “smokey” effect which may include some vibrato. I try playing with very little or no vibrato at all, but I”m having trouble on making the notes beautiful without using any vibrato. You can help Wikipedia by expanding it.

Sexy Trippy All Moods. The flute offers some brighter material as a bridge to a restatement of the opening piano melody, rutilleux appropriated fully by the sonatinna and sounding gradually more playful. A frenzied accelerando played by both instruments concludes the piece.

Correspondances Deux sonnets de Jean Cassou Duttilleux temps l’horloge. Archived from the original on Introspection Late Night Partying. The idea is to create contrast between the opening and theme later on, which should be subtly sensuous. Genre Chamber Music Classical. French Music for Flute and Piano. Near the end, a challenging cadenza alludes to motifs from all three sections of the sonatina, with the piano joining for an accelerando through the final, bright measures.

Masterworks for Flute and Piano. The Paris Conservatory commissioned it as a test piece for the graduating flutists of